In Sound Mind, by We Create Stuff, casts players as Desmond Wales, a therapist investigating surreal disturbances in Milton Haven. The game uses cassette recordings to transport the player into patient-specific dreamscapes where exploration, environmental puzzles, and combat confront metaphors of trauma. It includes a central hub that changes with progress, boss encounters that function as puzzles, and an original soundtrack by The Living Tombstone. It suits players who favour narrative-rich psychological horror with puzzle emphasis.

The game turns clinical sessions into distinct, playable nightmares.

Playing Desmond means following recorded therapy sessions to access each patient's memory-world, a design that ties narrative and mechanics. The developer maps fears into environments so each chapter feels like a self-contained investigation, encouraging the player to piece together Milton Haven's mystery through exploration and found audio. The non-linear structure lets players tackle tapes in varying order, which reshapes how clues and story beats arrive during a playthrough.

Gameplay alternates between tools, stealth, puzzle combat, and discovery.

Mechanically, the game mixes several approaches:

• Tool-based environmental puzzles, such as using a mirror shard to reveal hidden paths.
• Combat and stealth against manifested fears, with weapons available to fight back rather than pure hiding.
• Boss encounters that require identifying a psychological weakness to win.
• A central apartment hub that grows more dangerous as chapters progress.

The result is a single-player first-person loop that shifts tone and demands different play skills per chapter.

Visuals and music shape each tape into a distinct mood piece.

Each cassette world adopts its own visual identity, from surreal set pieces to nightmare-logic architecture, so visual variety drives curiosity. The Living Tombstone provides an original soundtrack and songs that mark chapter transitions and heighten atmosphere. A talking, pettable cat named Tonia appears as a small, interactive respite, offering guidance at moments of calm. These artistic choices anchor mood more than jump scares alone.

Progression rewards exploration but asks for careful puzzle reading.

Progress unfolds through the evolving hub and the completion of patient chapters, so players who enjoy decoding metaphor and environment receive the largest payoff. Challenging boss fights double as puzzles demanding observation and tactical choices rather than button-mashing. Replayability comes from the distinct mechanics each chapter introduces and the non-linear order of tapes. The developer's pedigree with Nightmare House 2 helps place the game among story-driven horror experiences on PC and consoles.

In Sound Mind is a strong pick for players who relish psychological puzzles, with caveats.

Fans of metaphor-rich horror and chapter-based variation gain the most from the game’s design, which rewards attention to environmental detail and narrative threads. Some reviewers and players have reported technical performance problems and occasionally awkward combat, which can interrupt pacing. In summary, the game suits those seeking exploratory, mind-bending horror; players prioritizing mechanical polish should weigh those reported issues.